Shadowing the Carnegie shortlist pushes me to read books
that I wouldn’t pick up myself, and every year I discover a new author whose
work really sparks my imagination. This year’s Spark Book for me is the
magnificent ‘Fire Colour One’ by Jenny Valentine.
‘Fire Colour One,’ with its tag line, ‘love is the greatest
work of art’, presents itself as a heart-warming family drama, but it is
actually a well disguised thriller. The
story is told from the perspective of Iris, who recounts the last weeks of her estranged
father, Ernest’s, life. Iris’s voice is
compelling and uncompromising as she brandishes her anger and hurt; at meeting
the father she’d never known, losing him within weeks whilst watching him
wither as she undercovers lies and truths that rock the foundations of which
her life is built.
Iris’s life isn’t a happy one, living in America with her
mother Hannah and her step-father, Lowell, to whom she feels no connection and
whose outlooks on life are so removed from her own.
‘it’s beyond them that someone would go the whole day without looking in the mirror. They wouldn’t dream of leaving the house with a layer of light-reflecting foundation and an accessory with a three-figure price tag. Looking good is the actual bedrock of their moral code. ‘
Lowell is an aspiring actor and their extravagant lifestyle
is on the plastic never-never. Iris is
under no illusion that she’s loved, but is painfully aware that both her Mother
and Step-Father blame her for their missed chances and failures. Iris copes with
the anger that rages within her, by setting fires, it is her escape and peace. Her
only friend is Thurston, a boy she met on the tube, an artist and charlatan in
equal measure, whom accepts and embraces her for who she is.
Iris’s life is uprooted when Hannah and Lowell finally run
out of credit, and they drag her across the Atlantic to England where they
arrange to meet her father who abandoned them years before. To Hannah’s delight, Iris’s father, Earnest,
is on his death bed, and with them never having been divorced she and Iris are
set on inherit everything; his enormous house and its walls full of priceless
art. As Hannah marches around the house making infantries and valuing the
collection, Iris spends time with Ernest, learning the truth that he never
abandoned her and has spent that past twelve years and much of his fortune
searching for her. Despite having no memory of her father, Iris believes him
implicitly and her empathy is magnified by her futile search for Thurston.
Hannah is no fool and soon realises that the special
connection Earnest and Iris shared before they left is resurfacing, and so she
starts games, scheming to get the lion’s share of the inheritance. Iris has no
interest in the money, and although she despises her mother’s behaviour is
happy for her to take it all. Negotiating with the ailing Earnest, Hannah takes
everything, the whole art collection with the exception of the new accusation,
the unverified (and therefore worthless) ‘Fire Colour One.’
But Earnest has secrets too, brilliant ones, which bear no
resemblance to his mild mannered and reserved nature, and he’s been scheming.
From beyond the grave Earnest (with a little help from Thurston) sends Iris one
last declaration of his love.
‘Fire Colour One,’ is an emotional and riveting read, with a
superbly plotted twist. Its description and metaphors are steeped with artist references
and leap into the mind in vibrant colour. Jenny Valentine has created a
masterpiece, one part family drama, and one part thriller. A, ‘Thomas Crown
affair,’ for teenagers.
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