Having your first book picked as a ‘Sunday Times’ Book of
the Month and having two publishers both snap you up seems like the dream
scenario for any author (although having to write your fourth book online as a
web-based creative writing project for children does sound slightly less
appealing).
But for ‘Shrunk’ author Fleur Hitchcock, being a children’s
author at all is a bit of a surprise as she only ended up on the now famous
Bath Spa creative writing course for children because the adult course was
already full.
‘I had been writing for a while, writing stories for adults
and wanted to do an MA. But when I look back all my stories featured children,
or had a children’s point of view.’ And she found her natural home, now having
written ‘Shrunk’ (about a boy who discovers he has the power to shrink things),
‘Dear Scarlett’ about a girl who starts to uncover secrets about her jewel
thief father, and ‘The Trouble with Mummies’ about a town where all the adults
start behaving like they are living in a different historical period, which is
difficult enough for the children to cope with - until all the historical
re-enactment starts to involve sacrificing children.
All three books are quite different, although there is
definitely a familiar strand of humour present in all of them. They will also appeal to
slightly different age groups and if that isn't all tricky enough, Fleur has ended up being published by two
different publishers.
I managed to catch up with her after a school event where she mummified some children and had them impersonating animals. Now all just part of the day job.
‘I wrote a book as part of the MA and that book got me an
agent. But it did the rounds and didn’t get me a publisher, which was a very
grim place. One of the best things about doing the MA was the fact that
although I’d wanted to do it to improve my writing, what it also really taught
me was about the commercial and practical side of publishing.
‘So we’d have talks where they’d say about this editorial
team were really good or this publisher was good at that. And helped us
recognise that lots and lots of people writing never make it – or get one or
maybe two books published and then never another. So it made me a lot more
realistic.
‘And you sometimes have to slap yourself around the face and
say that didn’t work and write another one. You can only edit a book so much
before it comes such a totally different book than the one you started anyway
that it would have been better to have started completely fresh with something
new.
‘So I started “Shrunk” and although Nosy Crow thought is
wasn’t quite for them, they liked my writing and wanted to meet me. On the
train to the meeting Kirsty Stansfield I was thinking that I didn’t really know
what they wanted to meet me to talk about and I had this idea of what it would
be like to live among the watercress beds around Andover that I passed on the
train. And so when they asked me what I was writing next I told them and that
became “Dear Scarlett” which was my first book for Nosy Crow.
‘In the meantime HotKey had been sent “Shrunk” and loved it,
so I ended up with two different publishers.’
She was also plunged into writing a follow-up to ‘Shrunk’
on-line, inviting children to contribute all their ideas and shape everything
from the characters to the plot.
‘The children have really written the book – they will see
their ideas there and without their ideas it would not have been the book it
is. But my synapses have had to make connections where they have never made
connections before and it has been good for me. I have never tried before
writing with someone else’s ideas.’
That book will be out next year, but for the moment she is
returning home to write a book that, confidentially, may feature time travel and yogurt pots. And to polish up her schools events. ‘I definitely need more
penguins.’
What was your favourite book as a child?
It’s impossible to answer that because I liked different
books at different times of childhood, whether it was Noggin the Nog, or Narnia
or The Silver Sword. And there was a pony book that when I look back was only
photographs and information but I read that over and over as I did the
‘Handbook of Horsemanship’. I was a big user of the mobile library. I loved
Moomins and Joan Aiken and Nina Bawden, who was a friend of my parents and I
read all the books before they were printed and still have all of her letters.
What is your favourite children’s book as an adult?
We've got a copy of The Trouble With Mummies to give away. To be in with a chance of winning it, e-mail us at SpaceOnTheBookshelf@yahoo.com with your name and address and 'Mummies' in the header.
Good Luck
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