Continuing on our 3D review of 'Is it a Mermaid' we are delighted to welcome Francesca Chessa on to the blog to talk about visualising the story through her beautiful illustrations.
What was your favourite children’s book as a child?My favourite book as a child was Tomaso written and illustrated by Vittorio Accornero, first published in 1944.
Tomaso talks about the life of a dog called Tomaso who was bought by a family of cats as a Christmas toy for the spoilt kitten of the house.
During the summer holidays, not knowing what to do with Tomaso, the cats leave him in the countryside, where Tomaso will meet a family of rabbits that will treat him as a friend, he will give his life for them.
I learned to read on this book it remained in my heart.
What is your favourite children’s book as an adult?There are so many books I was inspired and that still inspire me that it’s quite impossible to me to choose just one.
The books I like more are amusing, have a good plot, a turning point and surprise me until the end.
My favourite books are the ones where text and illustration are necessary one to each other and you couldn’t imagine one without the other.
What do you think makes children’s books so inspirational?I think that a good picture book needs to be intriguing, mysterious, funny and enveloping. It must be a book that every time you read, you can discover something new that increases your love for it.
Did you always want to be a children’s book illustrator?I have always loved drawing and I have always loved reading and looking at the figures in the books. As soon as I realized that I could turn these my passions into a job, I thought I had found how to occupy my time working with passion and joy.
What is it like visualising other people’s characters?When I work on a text of a writer and on its characters I try to figure out what the author wants to tell. Then I like to add some elements that belong to my world and my interpretation of the story, trying to create images that contains both our worlds.
Can you please explain a bit about your process of illustration?For my illustrations I am taking inspiration from what I can read, I can see, I can hear, I can touch, I can taste. I like to think that I use all my five senses to develop an idea. The story concept comes first, then the main character, then all the story develops itself step by step by connections between characters and scenes.
I usually work together with the art director. Good art directors let you free but at the same time are able to show you a way and to get from you a better result than the one you could have reached just by yourself.
Francesca Chessa was born on a cold December day in a small north Italian town close to Turin.
She graduated in Architecture but, after some years of working as an architect, realised that she would rather paint animals and the things that surrounded her. Hence she did a course in Illustration.
Since 1997 Francesca has illustrated more than forty children's books working with publishers in various parts of the world including Italy, England, the US, France, Canada, Spain and Japan.
She has received mentions and prizes in a number of international competitions. She now writes her own stories as well as illustrating those by others and likes to feature her family and friends in these. She illustrates for Unicef and Amnesty International.
Francesca lives in an old house in the centre of Turin with her husband. Her studio is colourful, full of books and looks over a small courtyard garden. She loves reading, watching movies, cycling, swimming and skiing.